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				<title><![CDATA[Home Recording - Articles - Promotion and Marketing]]></title>
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					  <title><![CDATA[Myspace Music Marketing:: An Interview With Derek Pearson of Promise To Burn]]></title>
					  <link>http://www.recordingreview.com/articles/articles/210/1/Myspace-Music-Marketing-An-Interview-With-Derek-Pearson-of-Promise-To-Burn/Page1.html</link>
					  <description><![CDATA[ Myspace is one of the most misunderstood arenas for bands to promote their music.&#160; Today, we take&#160;a deeper look into the world of music promotion using Myspace with Derek Pearson from Promise To Burn.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Fri, 27 Jul 2007 00:00:00 -0500</pubDate>
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					  <title><![CDATA[Why Artist Development Makes A Difference]]></title>
					  <link>http://www.recordingreview.com/articles/articles/159/1/Why-Artist-Development-Makes-A-Difference/Page1.html</link>
					  <description><![CDATA[The Internet has had an enormous change on the music industry and those that create the music. This has created fascinating possibilities and tremendous opportunities of exposure for bands and music artists across the world. This also raises many questions for undiscovered talent to be heard above the clamoring din.]]></description>
					  <author>info@artistopia.com (Donna Liguria)</author>
					  <pubDate>Wed, 01 Nov 2006 00:00:00 -0600</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/159/1/Why-Artist-Development-Makes-A-Difference/Page1.html</guid>
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					  <title><![CDATA[Band Marketing 101: If You Can&#39;t Sell 100 Cds, You Suck!]]></title>
					  <link>http://www.recordingreview.com/articles/articles/158/1/Band-Marketing-101-If-You-Cant-Sell-100-Cds-You-Suck/Page1.html</link>
					  <description><![CDATA[?We record in unideal studios, print cds with crappy graphics, and use sub par musical equipment. The easiest way to move up the ladder in the music world and make enough cash for the next recording is to actually sell your music. This article will explain why you are screwing yourself over because you are not selling enough cds.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 01 Nov 2006 00:00:00 -0600</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/158/1/Band-Marketing-101-If-You-Cant-Sell-100-Cds-You-Suck/Page1.html</guid>
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					  <title><![CDATA[Getting Started With Music Marketing]]></title>
					  <link>http://www.recordingreview.com/articles/articles/155/1/Getting-Started-With-Music-Marketing/Page1.html</link>
					  <description><![CDATA[?Many musicians feel right at home with showing up to the studio to lay down their tracks, but they freeze up and get confused when it comes time to get out there and show the world the work they have done. This article will make a few suggestions as to what to do when the album is finished.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 24 Oct 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/155/1/Getting-Started-With-Music-Marketing/Page1.html</guid>
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					  <title><![CDATA[Band Marketing 101: Always Have CDs To Sell]]></title>
					  <link>http://www.recordingreview.com/articles/articles/145/1/Band-Marketing-101-Always-Have-CDs-To-Sell/Page1.html</link>
					  <description><![CDATA[ This may seam like a very simple concept, but ALWAYS have cds to sell at gigs, no matter how big or small they are. This article will explain just how badly not having a few cds around can hurt.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 03 Oct 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/145/1/Band-Marketing-101-Always-Have-CDs-To-Sell/Page1.html</guid>
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					  <title><![CDATA[Tour AFTER You&#39;ve Conquered Your Home Town]]></title>
					  <link>http://www.recordingreview.com/articles/articles/115/1/Tour-AFTER-Youve-Conquered-Your-Home-Town/Page1.html</link>
					  <description><![CDATA[?I watched a seemingly infinite number of musicians who have the &#8220;I have to get out of here&#8221; concept. They feel that the only to get their music heard by people who really appreciate their music is to go outside their current city. I think that is hogwash. If a band can't conquer their hometown, they probably won't be conquering anywhere. ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 16 Aug 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/115/1/Tour-AFTER-Youve-Conquered-Your-Home-Town/Page1.html</guid>
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					  <title><![CDATA[What Are Your Goals For Your Music?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/114/1/What-Are-Your-Goals-For-Your-Music/Page1.html</link>
					  <description><![CDATA[?Sometimes bands and musicians get off track. They work on areas that don't improve their music, don't improve their ability to reach a larger audience, or simply waste time. The number one cause for this musical inefficiency is not clearly defining your goals as a musician, artist, or band. ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 16 Aug 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/114/1/What-Are-Your-Goals-For-Your-Music/Page1.html</guid>
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					  <title><![CDATA[Learn From The Successful Local Bands]]></title>
					  <link>http://www.recordingreview.com/articles/articles/75/1/Learn-From-The-Successful-Local-Bands/Page1.html</link>
					  <description><![CDATA[?In my experience, the bands who have encountered success are the bands that seam to be most ridiculed by other local bands and musicians. I haven't figured out why exactly. The article discusses that maybe you should put your creative differences aside and learn from the bands who have having success in your area.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Fri, 23 Jun 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/75/1/Learn-From-The-Successful-Local-Bands/Page1.html</guid>
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					  <title><![CDATA[What Is Your Band Doing That Is Newsworthy?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/71/1/What-Is-Your-Band-Doing-That-Is-Newsworthy/Page1.html</link>
					  <description><![CDATA[ If your band really wants to get some attention, you need to be doing things that will get people talking. I often ask myself, &#8220;What is my band doing that is newsworthy?&#8221;. If I can't come up with anything interesting that my band is doing, how will other's find my band interesting?]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Thu, 22 Jun 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/71/1/What-Is-Your-Band-Doing-That-Is-Newsworthy/Page1.html</guid>
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					  <title><![CDATA[Use Name Brand CD-Rs]]></title>
					  <link>http://www.recordingreview.com/articles/articles/63/1/Use-Name-Brand-CD-Rs/Page1.html</link>
					  <description><![CDATA[ After being booked full of bands for the past 5 years, I've burned my share of cds. Without a doubt, buying name brand cd-rs will save you money in the long run. Generic cd-rs aren't worth the price, hassle, or time.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Sat, 27 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/63/1/Use-Name-Brand-CD-Rs/Page1.html</guid>
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