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				<title><![CDATA[Home Recording - Articles - Audio Mixing]]></title>
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					  <title><![CDATA[Audio Mixing Problems ? Maybe It&#39;s The Song]]></title>
					  <link>http://www.recordingreview.com/articles/articles/172/1/Audio-Mixing-Problems--Maybe-Its-The-Song/Page1.html</link>
					  <description><![CDATA[?It seams that many young audio engineers seam to think that there is some magical fidelity button that makes a mix great. When their mixes don't come out sounding like the big boys, they often blame gear or themselves. This article will explain that maybe there is something more important than the gear used....THE SONG.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Mon, 27 Nov 2006 00:00:00 -0600</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/172/1/Audio-Mixing-Problems--Maybe-Its-The-Song/Page1.html</guid>
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					  <title><![CDATA[Why Do Mixes Sound Terrible In The Car?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/124/1/Why-Do-Mixes-Sound-Terrible-In-The-Car/Page1.html</link>
					  <description><![CDATA[?The car test is what separates the men from the boys when it comes to mixing. Just about anybody can make things seam great on a pair of studio monitors, but most beginning audio engineers are not familiar enough with how their studio monitors relate to the outside world. This article will give some insite to getting your mixes to translate everywhere.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Mon, 04 Sep 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/124/1/Why-Do-Mixes-Sound-Terrible-In-The-Car/Page1.html</guid>
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					  <title><![CDATA[Are You Aggressive At Music Mixing?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/64/1/Are-You-Aggressive-At-Music-Mixing/Page1.html</link>
					  <description><![CDATA[?After coming back from Wagener's and hanging out with Malcolm Springer, I've noticed big time improvements in mixing. I just finished mixing a few songs that I had tracked over a year ago and they are sounding great. Why? Because I've learned to mix aggressively!]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 30 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/64/1/Are-You-Aggressive-At-Music-Mixing/Page1.html</guid>
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					  <title><![CDATA[Are Your Studio Monitors Lying? Are You Just Not Listening?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/61/1/Are-Your-Studio-Monitors-Lying-Are-You-Just-Not-Listening/Page1.html</link>
					  <description><![CDATA[?Anyone who has ever mixed any recording knows that is difficult to make a mix sound great on your studio monitors, but almost impossible to make it sound great everywhere else. Most people will tell you that it's your room's acoustics, and monitors but there is something even more important.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Thu, 25 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/61/1/Are-Your-Studio-Monitors-Lying-Are-You-Just-Not-Listening/Page1.html</guid>
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					  <title><![CDATA[Music Mixing Trick: Run Everything Through A Delay]]></title>
					  <link>http://www.recordingreview.com/articles/articles/59/1/Music-Mixing-Trick-Run-Everything-Through-A-Delay/Page1.html</link>
					  <description><![CDATA[&#160;There are numerous little mixing tricks that are nearly required to in any way simulate the impact of a great band playing live in a club. The idea is to capture that same energy and excitement on the recording. Running every track through a delay is one way to help do this.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Sat, 20 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/59/1/Music-Mixing-Trick-Run-Everything-Through-A-Delay/Page1.html</guid>
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					  <title><![CDATA[New Big Boy Audio Mixing Tricks]]></title>
					  <link>http://www.recordingreview.com/articles/articles/57/1/New-Big-Boy-Audio-Mixing-Tricks/Page1.html</link>
					  <description><![CDATA[A close friend of mine's band has been working with producer, Malcolm Springer, who has worked with just about everyone under the son. I went with them to Nashville to mix a couple of their songs. Here are a few tips and tricks I've learned.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 17 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/57/1/New-Big-Boy-Audio-Mixing-Tricks/Page1.html</guid>
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					  <title><![CDATA[15 Uses For A Compressor]]></title>
					  <link>http://www.recordingreview.com/articles/articles/56/1/15-Uses-For-A-Compressor/Page1.html</link>
					  <description><![CDATA[&#160;Without a doubt, compression is the most misunderstood tool in every home recording enthusiast arsenal. I've found that the quality of my mixes have almost entirely been linked to my knowledge and experience with compressors. For modern music especially, I'd be 100% behind if I didn't understand compressors. ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Mon, 15 May 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/56/1/15-Uses-For-A-Compressor/Page1.html</guid>
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					  <title><![CDATA[Getting Your Mixes Loud]]></title>
					  <link>http://www.recordingreview.com/articles/articles/51/1/Getting-Your-Mixes-Loud/Page1.html</link>
					  <description><![CDATA[&#160;This article is all about getting your music as loud as commercial cds. It's easy to do, but your mixes will suffer. Of course, suffer is subjective. The kids think a quite cd is ?suffering? and are oblivious to the damage that modern mastering does to their music. This article will discuss getting your mixes loud and more.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 19 Apr 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/51/1/Getting-Your-Mixes-Loud/Page1.html</guid>
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					  <title><![CDATA[Using Gates 101]]></title>
					  <link>http://www.recordingreview.com/articles/articles/44/1/Using-Gates-101/Page1.html</link>
					  <description><![CDATA[Gates are devices that come in very handy when you get into more advanced mixing styles, but it seams that a lot of beginners have trouble understanding what a gate is or more importantly, it's intended purpose.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Fri, 24 Mar 2006 00:00:00 -0600</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/44/1/Using-Gates-101/Page1.html</guid>
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					  <title><![CDATA[Volume Automation: The Most Powerful Mixing Tool]]></title>
					  <link>http://www.recordingreview.com/articles/articles/26/1/Volume-Automation-The-Most-Powerful-Mixing-Tool/Page1.html</link>
					  <description><![CDATA[&#160;For me, without a doubt, the ability to vary the volume throughout an audio&#160;track is the most powerful mixing tool in the world. Whether you are using a full blown mixing console are mixing on your laptop, volume automation can give your mixes impact like never before.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Sun, 08 Jan 2006 00:00:00 -0600</pubDate>
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