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				<title><![CDATA[Home Recording - Articles - Electric Guitar Recording]]></title>
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					  <title><![CDATA[How To Deal With A "Picky" Mid Scooped Guitarist]]></title>
					  <link>http://www.recordingreview.com/articles/articles/213/1/How-To-Deal-With-A-Picky-Mid-Scooped-Guitarist/Page1.html</link>
					  <description><![CDATA[ We've all sat down to record other guitar players who refused to change any setting on their amp because this is their tone and their sound. This article will give a few tips to dealing with a &#8220;picky&#8221; guitar player.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 04 Sep 2007 00:00:00 -0500</pubDate>
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					  <title><![CDATA[My Current Approach To Rock and Metal Guitars]]></title>
					  <link>http://www.recordingreview.com/articles/articles/179/1/My-Current-Approach-To-Rock-and-Metal-Guitars/Page1.html</link>
					  <description><![CDATA[?I've had several forum members ask my recently about having problems with too much mud in their guitar tones. In this quick little article , I'll explain my approach to recording rock or metal electric guitar these days. ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 03 Jan 2007 00:00:00 -0600</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/179/1/My-Current-Approach-To-Rock-and-Metal-Guitars/Page1.html</guid>
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					  <title><![CDATA[My Electric Guitar Recording Secret Weapon]]></title>
					  <link>http://www.recordingreview.com/articles/articles/151/1/My-Electric-Guitar-Recording-Secret-Weapon/Page1.html</link>
					  <description><![CDATA[ The single biggest impact to my electric guitar recordings came a few months ago.? My recordings using high end Royer mics, Vintech re-issues of Neve preamps, Mytek converters, and high end guitar amplifiers received a guitar tone boost of 1 million after this $200 upgrade.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Thu, 12 Oct 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/151/1/My-Electric-Guitar-Recording-Secret-Weapon/Page1.html</guid>
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					  <title><![CDATA[Electric Guitar Recording; My Favorite Guitar Microphones: Shure SM57 Royer R121]]></title>
					  <link>http://www.recordingreview.com/articles/articles/150/1/Electric-Guitar-Recording-My-Favorite-Guitar-Microphones-Shure-SM57-Royer-R121/Page1.html</link>
					  <description><![CDATA[?I've never been one to say that X microphone is a great vocal mic or X microphone is a great acoustic guitar mic because the situation is different every single time. With that being said, I've only used two mics on electric guitar in the past 10 months: Royer R121 and Shure SM 57.]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Wed, 11 Oct 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/150/1/Electric-Guitar-Recording-My-Favorite-Guitar-Microphones-Shure-SM57-Royer-R121/Page1.html</guid>
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					  <title><![CDATA[Identical Guitar Speakers Sound Different]]></title>
					  <link>http://www.recordingreview.com/articles/articles/146/1/Identical-Guitar-Speakers-Sound-Different/Page1.html</link>
					  <description><![CDATA[?This short article will explain how my two Celestion G12H30 guitar speakers sound drastically different from each other even though they both sit in the same Marshall cabinet. I believe that quickly micing up the right speaker will sound much better than taking hours to mic up an inferior speaker. Read on..  ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 03 Oct 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/146/1/Identical-Guitar-Speakers-Sound-Different/Page1.html</guid>
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					  <title><![CDATA[Electric Guitar Recording: 2 Mics On A Guitar Amp? #2]]></title>
					  <link>http://www.recordingreview.com/articles/articles/137/1/Electric-Guitar-Recording-2-Mics-On-A-Guitar-Amp-2/Page1.html</link>
					  <description><![CDATA[?You read it all the time. The big boy, major label engineers are using multiple mics when recording their huge rock guitar tones. It makes sense that you should use multiple mics, too, right? This article will explain why you may be better of mastering one microphone before you use 10!]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 19 Sep 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/137/1/Electric-Guitar-Recording-2-Mics-On-A-Guitar-Amp-2/Page1.html</guid>
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					  <title><![CDATA[Electric Guitar Recording:  More Than One Mic On A Guitar Amp?]]></title>
					  <link>http://www.recordingreview.com/articles/articles/121/1/Electric-Guitar-Recording--More-Than-One-Mic-On-A-Guitar-Amp/Page1.html</link>
					  <description><![CDATA[ ?It's quite common to see pictures of the big boys recording what eventually become platinum records. It's not uncommon to see them using quite a few microphones to capture the mammoth guitar tone we often hear on modern rock records. Will using more microphones improve the quality of your audio recordings? This article will discuss the advantages and possible pitfalls when using multiple microphones and amplifiers while recording electric guitar. ]]></description>
					  <author>brandon@recordingreview.com (Brandon Drury)</author>
					  <pubDate>Tue, 29 Aug 2006 00:00:00 -0500</pubDate>
					 <guid isPermaLink="true">http://www.recordingreview.com/articles/articles/121/1/Electric-Guitar-Recording--More-Than-One-Mic-On-A-Guitar-Amp/Page1.html</guid>
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