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Electric Guitar Recording; My Favorite Guitar Microphones: Shure SM57 Royer R121

By  Brandon Drury | Published  10/11/2006 | Electric Guitar Recording
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My Favorite Mics For Electric Guitar Recording

?A lot of beginners who are really new to recording are always looking for solid answers to their questions. I think in some ways, learning to record is like learning to fight. Being a great fighter isn't about knowing the best moves, it's about reacting to your opponent. I think the same can be said with audio recording.


Because of this, I'm usually a little hesitant to simply suggest that a person buy this mic, this soundcard, and this plugin and be done with it because everything is simply way too subjective. However, with that being said, I've found that I've only used 2 different microphones on electric guitar the past year. They are the Shure SM 57 and the Royer R121. Ironically, each one sounds quite a bit different from the other.


Get The Sound Out Of The Amp

As always, I must say that the biggest secret to getting great guitar sounds is not really found in the microphone. Microphones do sound different but most young engineers are shocked that X mic doesn't sound a million times better or even little more than slightly different even though preconceived notions would suggest otherwise. You can read all about it in this article: Microphones Don't Make THAT Much Difference.

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The real secret to great guitar sounds is found in the guitar sound. If I could manage to get the best guitar sound in the world coming out of the amp, I could stick just about any of my mics on it and the resulting tone would be pretty cool. Some mics will make the tone harder to fit in the mix, but much of that can be accounted for with mic placement.


For the home recording beginner, this means that it's very possible for you to recording tremendous guitar sounds with your relatively cheap gear (compared to what the pros are using). It means that your average PA system microphone MAY do just fine on your electric guitar amp. The trick is to make sure your guitar amp sounds great. If you have a Musician's Friend special, you may have a hard time. (I call trendy amps that sound like shit “Musician's Friend Specials” because most of the time these amps look great in the picture but don't do so well with a microphone in front of them). I like to use big boy amps even though I probably paid less for my monstrously pro amps than you did for your Musician's Friend Special.

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Comments
  • Comment #1 (Posted by Alan Gordon)
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    You are giving wrong information, the SF12 is not like the 121 or the 122. It is a stereo version of the SF1. The 122 is an active version of the 121. The SF1 is a thiner ribbon mic not active.
     
  • Comment #2 (Posted by Brandon Drury)
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    Thanks for pointing that out. I had always thought that that the SF12 was just a stereo Royer R122. I stand corrected.
     
  • Comment #3 (Posted by Scot Clayton)
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    Good Article Brandon.
     
  • Comment #4 (Posted by Bill H)
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    Hey Brandon: did you say you use the R-121 in a amp isolation booth? I am thinking of using one of the commerical amp enclosures--but won't the figure-8 pattern of the R-121 mess up the sound while in the enclosure?
     
  • Comment #5 (Posted by Brandon Drury)
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    Well, if the sound that gets in through the back of the micrphone is not what you want, then you are correct, and the Royer R121 is not a good choice.

    However, for me guitar fort, I haven't had any problems.
     
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