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Producing: What The Old People Are Trying To Tell Us

By  Brandon Drury | Published  09/19/2007 | Producers
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The Sound of Silence by Simon and Garfunkel

The old people like to talk about what recordings were back in the day. I'm 27 so my background is not exactly the same as these REALLY old dudes. I was raised in the overproduced pop music of the 80s, the "alt" rock of the 90s, etc.

The old people are telling us that "the grid" sucks. (The grid refers to recordings done where each beat must line up perfectly on some line on the screen.  Another word for this is "quantize" which is popular in MIDI dominated genres like techno.) While I think there are examples of effective music to a quantized grid (particularly in the dance genre) overall, I have to agree with the old people.

It's not so much whether the grid is good or bad.  It's a mentality issue.  I think that people who sit around wondering if there drums are matching up to some line are wasting their time in many cases.  They could be making more interesting or more fun ruckus.

There is an easy way of conveying what the old people are trying to get across:

The Sound Of Silence by Simon and Garfunkel

Listen to it. You'll have to rethink your recording somewhat. I'm not sure if you can cut right to the bone of a human being any better than that. I'm not exactly a huge Simon and Garfunkel fan. You'll catch me listening to Nine Inch Nails The Downward Spiral long before I'm listening to a Simon and Garfunkel album. In fact, I don't know the name of a single Simon and Garfunkel album.

When I hear The Sound Of Silence, I think of people who I've loved who are long gone. I think of my eventual departure. Right now (after listening) I'm wondering if I should be writing this little blog or if I should be running down the street naked. In other words, this song makes me think that I should improve my life. I think of loved ones now who will eventually depart. 

In other words, this song effects me! It's an absolute home run. You can't write a better song....just different. This recording is absolutely perfect.

What this recording isn't.

  • This song obviously isn't on a grid.
  • With this song, there are mistakes. The playing is far from precise. There is an obvious total screw up at 2:13.
  • The drums aren't robo pounding. Hell, they don't even come out of both speakers!
  • There are no sound replacers, auto tune, or any other gadget made after 1966.
  • There are no 95 tracks of noise and junk.
  • This is obviously a live recording. 


What this recording is:

  • Still commercially successful because I just bought the Simon and Garfunkel greatest hits
  • It captures an intense yet natural vocal performance...the vocals are over the top in a sad / "silent" kind of way. The "flaws" in no way distract from the ultimate goal.
  • The recording does do justice to the song. In fact, the old style recording adds to the vibe. I can't imagine hearing John Mayer "modern" production on this. It sounds appalling just thinking about it.

Conclusion
In an era where people are buying less music than ever before, we can blame downloading or the fact that kids have too many distractions.  I think if us music recording people would focus on the listener and not whether little lines on the screen matched up with our drums, we'd end up in a better musical place.

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Comments
  • Comment #1 (Posted by Baron)
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    When I first got access to quantising, not long after midi showed up, I tried and tried but all I made was lifeless songs. After a while I decided to drop the grid and just go real-time and all of a sudden, the groove came back. I still use it to correct the odd beat but never use it on a whole piece.

    Anyhow...good blog dude.

    It really highlights the point of; a 'good' song will shine through no matter what.

    A lot of kids today have never heard music through a real hi-fi yet they love whatever song over another because of something that touches them. My kids have access to a good hi-fi but they prefer to use their boom boxes or iPods. I can't stand the sound of Apple's default iPod compression but, the kids refuse to go better as they can't fit as many songs on their iPods, if they do.

    Capture the sparks and polish the silver and dont get so caught up in the quality that you lose the feeling.


    Baron

     
  • Comment #2 (Posted by The Maestro)
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    I'd have totally agree with this article. I'm 44 years old and have been into music since the age of 3 yrs. old. Today, when I go to a record store/music store I go with the intent of buying something new. However, when I come across of an artist that I use sit with my father and listen to (while he pointed out the particulars of the song), I find myself choosing between the new music I originally came to purchase or a CD version of the much older recording (being on a limited budget). The older music/recording gets chosen 9 out of 10 times mainly due to my memory of how that recording made me feel. A feeling which I rarely experience with todays recordings. Gone are the techniques of a CTI. (Creed Taylor) mixing & mastering recording, or T-Neck, Casablanca, Westbound Records type of feelin'. Back in the day less really was more.
     
  • Comment #3 (Posted by room temp)
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    I'm a drummer and 1 year old newbie and I totally skipped the quantize/grid section in my software manual.My songs are'nt perfect but they breathe. I also agree w/ Brandon about forum snobbery.I stopped going to a major site because of this.It seemed that "most" insisted that you can't make music today without a grid. Anyway, thanks for a great site!!
     
  • Comment #4 (Posted by Dane)
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    What an excellent article! I fully agree with you. I'm few years older than you are but this "old" music was not played when I was in formation years. I was just lucky that when I started listening to music, I started with "old school" - music of the sixties and seventies when music ment more than today. Older guys gave us the younger guys their vinyl records, tapes... So I also came accross Simon & Garfunkel. Their music has a Soul. Period. Today I'm also listening to a lot of styles and play a lot of styles but it's always good to get back to the old masters, right :-). Think more of the songs and less of the gadgets :-).
     
  • Comment #5 (Posted by Bob Camp)
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    Brandon would you call me? 382-0709.
     
  • Comment #6 (Posted by G)
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    An interesting thing I found out about "The sound of silence" not that long ago, is that the drums and "The band" were added as an overdub after S and G had recorded the song acoustically, this was also the case for "The boxer" and some of the other songs from that era. great song! and I agree that humanisation adds a lot to recordings.
     
  • Comment #7 (Posted by Il)
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    It wasn't a live recording, drums and the "band" were overdubbed onto an acoustic master and Simon and Garfunkel weren't thrilled about it...
     
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