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Songwriting 101: Are You Afraid Of Writing A Bad Song?

By  Brandon Drury | Published  06/6/2006 | Songwriting
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The Dreaded Fear Of Writing A Bad Song

We all want to write great songs. Personally, I wouldn't mind selling 30 songs to Madonna and collect my 7 figure royalty checks while I do absolutely nothing for the rest of my life. Okay, maybe not all of us want to write songs for Madonna, but we do want to our songs to be just as inspiring our favorite songs. That's a tall order in many cases.

We try and try and try to write these great songs. We push and push and push as if the same mentality that helps you win a bike race or helps you dig a ditch quicker is going to somehow make the songs better. For better or worse, songwriting is a totally different animal. Sometimes the chorus of the century strikes you while you are stuffing your face with Cheetos watching Everybody Love Ramon reruns. Some of the best songs I've written were waiting for me when I woke up in the morning. I just had to run downstairs and capture them really quickly.

Let The Song Come On It's Own

Since we can't really force songs and songs often expose themselves to us at random times that have nothing to do with the amount of effort we put in, we can assume that songs are just sort of handed down by the gods or whatever. It's not that illogical. Since songs are sort of out of our hands, in a weird way, all we can do is sort of relax and let them happen. The more time we spend writing, the more songs will ooze out of us, and the odds of writing the mega song increase greatly.

Why I Love Writing Bad Songs

I'll be honest, I'm not a lyrics person. This means that I can focus on melody and stress out about melody later on. It also means that I can crank out a ton of songs very quickly. To me a song is nothing but a vocal melody and a few chords. I'll figure out the rest later when I produce the crap out of the song.

With the band I've been producing part time for right at 15 months, we wrote about 250 songs for their record and I must say that the highlights were writing the shittiest songs on the planet on purpose. Why? Because it meant that everyone was maximizing their creative potential. No one was holding back. No one was stressing out about writing a hit song (even though that was sort of the idea). There were nights were we cranked out 20-30 songs. I bet 20 of them were downright terrible. 8 of them were just kind of crappy. One or two were something special. I learned that the worse the writing got, the closer we were to stumbling upon a great song. The songwriting gods reward persistence!

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Comments
  • Comment #1 (Posted by David)
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    This is right on target. Writing is better when writers focus on quantity not quality, because then you disregard that internal critic we all have that tells us, "I can't write this; it's not going to be brilliant...." I recently discovered a songwriting group called the Immersion Composition Society, whose main songwriting tool is the 20-Song Game. The goal is to write 20 songs in one day. You may not reach the goal and you probably won't finish most of the songs, but if you try, you will probably come up with some good stuff. I did it for the first time a week of two ago. I wrote most of about 8 songs, and about 4 of them were as good as anything I've written. There was also some crap. That's fine. The time to focus on quality is the next stage, when you separate the wheat from the chaff and pick the songs you are going to perfect.
     
  • Comment #2 (Posted by Onna)
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    I'd like to throw in my two cents: I personally commit myself to a crappy first draft. Meaning that I just get it out and don't worry yet whether or not it is any good.

    Even if I like a first draft, I will undoubtedly make changes to it.

    I think creativity works in two stages: the first is the spontaneous stage where the idea comes out. I too wake to these at times, and have also experienced them at inopportune times (why I always carry a notepad in my pocket). The second is the reactionary creativity: the ideas that come as result of exposure. So, for example you have a friend that plays you a song he wrote, and the ideas that come from listening such as "you should add some cow-bell." Anyhow, I find i get plenty of ideas from listening to my own songs. So try it as a process: write something just to get it out, then wait a few hours or days and give it a listen. I would almost guarantee your mind will take over automatically and take the song in the right direction, or at least give you some ideas. But that is just my opinion of course.
     
  • Comment #3 (Posted by Asa)
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    Cool Concept will try for sure!!
     
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