How Watts and Audio Amplifiers Work Together
What If I Don't Have Enough Power?
?Most people don't understand that one of the leading causes for blown speakers is not using enough power. When you crank up your music, you should imagine a wave going up and down inside the amplifier. Unfortunately, your wave can only get so big. There is a maximum limit. (Electronics nerds call this “compliance”). Anyway, this the max an amplifier will spit out without “clipping”. Imagine a nice pretty sine wave. It's pretty as long as it's not smashing the ceiling (or max limit) of the amplifier. If you turn the music up even louder, the wave will get bigger inside amplifier. Then, the wave will smash the ceiling. Unfortunately, the ceiling in an amplifer doesn't give. It'a a brick wall. The result is the top and bottom of waves get smashed in and turn into a horizontal line. The resulting signal looks like you simply clipped the bottom and top of the wave off.
This is what a distorted signal looks like. A 100% distorted signal is called a square wave. Instead of being a pretty, flowing sine wave, it looks like jagged teeth. Of course you don't care about that. What you care about is that clipping in a PA system is extremely audible distortion! It sounds wretched!! Even worse, you will blow your speakers!
How Clipping Blows Your Speakers
The interesting thing about clipping is that you can take a 10 watt amp and blow just about any speaker by playing a clipped signal long enough. Imagine our pretty little sine wave again. It flows up and down in smooth way. This wave actually represents how the speaker is moving in and out. Well, if we clip this wave hard enough to turn it into a jagged, square wave, the speaker must follow this path. This means the speaker jerks in quicker than usual and most hold it. The the speaker jumps out quickly and has to hold it.
This “holding” is kind of like lifting weights where you hold the weight in a certain place just to feel it burn. Of course, in weight lifting, this burn is a good thing. It's working your body harder. However, in our audio situation, that burn is also working the speaker harder....a lot harder!!! It doesn't take long of a speaker jumping out....holding....jerking in...holding for the speaker to overheat and blow. Speakers just weren't designed to function in this way.
So make sure that you have enough power (or compress your signal more) to ensure that you never exceed the compliance (max ceiling or headroom) of you amplifiers.
Conclusion
The worst thing you can do is clip your amplifiers. The biggest boys can just buy mega powered speakers that will never run out of power. That however, is not very $$$ efficient. My recommendation is to use a compressor and/or limiter to smash the out of control transient peaks. You simply don't need as much headroom then. The harder you compress your signal, the more RSS volume you can safely squeeze out of your amplifier.
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Comments
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Comment #1
(Posted by an unknown user)
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informative
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Comment #2
(Posted by Professor Drew Daniels)
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Just how much dumb-down can we all absorb until we finally know nothing? As an artist, do you really want your PRODUCT to be made by "recording engineers" who couldn't plug in stereo system to save their lives? More importantly, do you really want to pay your money for some dufus to waste hours and hours of time struggling to find out why he can't get the guitar to play back in stereo because he doesn't even know what stereo is? Better music deserves better recording, and better recording requires learning engineering--with all the physics and the math. Sorry, but there's no shortcut to experience and knowledge except study and experience. If engineering was easy, then everybody would be making good-sounding records. Check and see how many certified "Professional Engineers" there are in your community and you'll soon discover that the P.E. exam is waaaaay harder than passing the bar exam or getting an M.D. degree, and you'll begin to get a sense of just why there are so few Lee Hirschbergs, Tom Dowds and Bill Putnams.
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Comment #3
(Posted by lettuce)
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nicely written for the beginner, however the novice, or journeyperson/apprentice knows most of this stuff already from his/her instructor and from all the homework that was assigned.
My question to you is how can you expand the knowlege base that we non-pro engineers need so that we can become entry-level pro engineers?
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Comment #4
(Posted by guitarfiend)
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I thought this was a good article. I'm a guitarist, not a recording engineer. Not everybody knows how sound frequency works, and a lot of musicians don't care...so this is a great article for a beginner who's just learning (we can't have all the articles geared towards the professional recording engineer...otherwise the beginners would have no way to learn the basics!).
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