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Brandon Drury
Owner of Echo Echo Studios, Brandon Drury, has recorded and mixed over 600 songs in his very busy home recording studio.  

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Want Amazing Sound Quality? Quit Trying!
By Brandon Drury | Published  05/30/2007

I have a new theory:
The only way to achieve extreme "quality" or "fidelity" is to pretty much forget about quality and fidelity and go for maximum creativity.

When you go intoa new recording project, if your #1 ambition is "quality" it's natural to reach for expensive gear. By default, you have already (if only subconsciously) turned off your ears just a little bit and are now just a little more biased towards using the expensive gear based on hearsay you picked up on stupid recording forums and not so much on what you are actually hearing.

However, when you are thinking about maximum creativity, the "quality" rules get thrown at the window entirely. Instead of grabbing something because it is "good" or "expensive", you grab something based 100% on what it sounding like exactly what you envision. If the mic or gear isn't satisfying your vision, you'll find something that does. It really doesn't matter if your vision is totally off the wall or quite "normal".

This is what I keep talking about when I say engineering is a quest for music and not a quest for higher sample rates or whatever. You can get away with tones that are dramatically different in the same genre of music as long as the ending "vibe" is the same. That "vibe" is when music is effective. Most of us tend to love the sound of our favorite records. Most engineers think X record that came out when they were 14 is the best sounding record of all time. This is because the music was most effective to us and so we attribute some of that magic (probably more than is really do) to the engineering.

What not try a kick drum mic on vocals? I would never assume that a kick drum would be the right mic for a vocal, but if a track came out sounding cool, then it was the right mic. No rules. If the "kick drum vocal sound" was RIGHT for that track, no non-kick drum mic is going to work even if it costs $20,000.

Lastly, it's easy to confuse fidelity with well-executed creativity. Who's to say that your favorite vocal sound of all time didn't use a kick drum mic?

Brandon

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  • Comment #1 (Posted by samit patel)

    IM A HINDU JAMMN IN TOOTING O.K I SUCKED KRISSHNA BALLZ B4 HINDU (GOD) MY MUM IS FUKKED SOWI DIZ SITE IS BULLSHIT IT LOOKZ LYK MY ASSHOLE. FUCK RECORDGREVIEW ALL BULLSHIT
     
  • Comment #2 (Posted by Phil jones)

    Get real,Patel. This guy has a clue(unlike you), he just needs a class in grammer and creative writing(not a capital offense, as far as I've heard),
    Pay attention and learn xomething. Anywhere you can get knowledge is valid.
     
  • Comment #3 (Posted by Margi Wilson)

    I agree that Brandon is making sense. If the end result is true to your intention, then you have good quality. Forget what the engineers say. They don't know what the artists are trying to get across most of the time.
     
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