<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Home Recording Blog &#187; Mic Preamps</title>
	<atom:link href="http://www.recordingreview.com/blog/category/mic-preamps/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.recordingreview.com/blog</link>
	<description>Make Home Recordings Pro Audio Recordings</description>
	<lastBuildDate>Thu, 19 Nov 2009 21:04:50 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>True Systems P-Solo Preamp Review</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/true-systems-psolo-preamp-review/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/true-systems-psolo-preamp-review/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 18:55:28 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[Recording Equipment Reviews]]></category>
		<category><![CDATA[True Systems P-Solo]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=256</guid>
		<description><![CDATA[Is the True Systems P-Solo the right preamp for your home recording studio?  Find out in this recording equipment review.]]></description>
			<content:encoded><![CDATA[
This is going to a quicky.  Preamps don&#8217;t need a dissertation.  They are a volume knob for Christ&#8217;s sake!
The True Systems P-Solo is a single channel mic preamp about the size of 2 or 3 Hi-C containers fit together in a line.  It sells for about $535 (street).  It has all [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/true-systems-psolo-preamp-review/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Most Serious Mic Preamp Thing EVER!</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/mic-preamp/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/mic-preamp/#comments</comments>
		<pubDate>Mon, 10 Aug 2009 21:19:06 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[Manley TNT]]></category>
		<category><![CDATA[Presonus Firestudio]]></category>
		<category><![CDATA[Vocal preamp]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=246</guid>
		<description><![CDATA[Not sure what a high end preamp can do for your vocal recordings?  ]]></description>
			<content:encoded><![CDATA[Not sure what a high end preamp can do for your vocal recordings?  
While I have vocal preamps galore in my Killer Home Recording shootouts, I haven&#8217;t included any preamp shootouts here in free Recording Review member&#8217;s area.  
So, I&#8217;ve brought in the greatest singer of all time.  
He sang through a [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/mic-preamp/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Presonus ADL 600 Tube Preamp Review</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/presonus-adl-600-tube-preamp-review/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/presonus-adl-600-tube-preamp-review/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 08:02:48 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[Recording Equipment Reviews]]></category>
		<category><![CDATA[Presonus]]></category>
		<category><![CDATA[Presonus ADL 600]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=210</guid>
		<description><![CDATA[How does flagship Presonus preamp, The ADL 600, stack up against other high end preamps?  Does it belong in home recording studios?  Find out in this review of the Presonus ADL 600.]]></description>
			<content:encoded><![CDATA[Features
We&#8217;ll make this quick.  If you want the full run down head here.  
This thing has plenty of gain, a -20dB pad, 3 different input impedances, the usual polarity (phase) button, 3 different high pass filter options, and an instrument jack on the front (always an under rated feature in my experience).  [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/presonus-adl-600-tube-preamp-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Presonus Digimax D8 Review</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/presonus-digimax-d8-review/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/presonus-digimax-d8-review/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 01:18:24 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[Recording Equipment Reviews]]></category>
		<category><![CDATA[Presonus]]></category>
		<category><![CDATA[Presonus Digimax D8]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=212</guid>
		<description><![CDATA[Check out this review of the Presonus Digimax D8, an audio 8-channel preamp / ADAT interface.]]></description>
			<content:encoded><![CDATA[The Presonus Digimax D8 is an 8-channel preamp / analog to digital converter with ADAT out allowing additional eight channels of simultaneous recording to any audio interface with ADAT inputs.  It competes with products such as the M-Audio Octane.  I won&#8217;t bore you with the features.  You can read about them here [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/presonus-digimax-d8-review/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Presonus Studio Channel Review</title>
		<link>http://www.recordingreview.com/blog/news/presonus-studio-channel-review/</link>
		<comments>http://www.recordingreview.com/blog/news/presonus-studio-channel-review/#comments</comments>
		<pubDate>Wed, 08 Jul 2009 22:56:07 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Compressors]]></category>
		<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Recording Equipment Reviews]]></category>
		<category><![CDATA[Presonus]]></category>
		<category><![CDATA[Presonus Studio Channel]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=208</guid>
		<description><![CDATA[Does the PreSonus Studio Channel have a place in your rack of recording equipment?  Find out in this review of the Presonus Studio Channel!]]></description>
			<content:encoded><![CDATA[
The PreSonus Studio Channel is a single channel strip consisting of a preamp, compressor, and eq.  It&#8217;s a full featured little gadget that has a high pass filter and the ability to change the order between the EQ and compressor which is always a fun thing.  Overall, they&#8217;ve crammed just about every feature [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/news/presonus-studio-channel-review/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Manley TNT Mic Preamp Review</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/manley-tnt-mic-preamp-review/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/manley-tnt-mic-preamp-review/#comments</comments>
		<pubDate>Mon, 25 May 2009 07:46:03 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[Recording Equipment Reviews]]></category>
		<category><![CDATA[Manley TNT]]></category>
		<category><![CDATA[Tube Preamp]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=177</guid>
		<description><![CDATA[How does the Manley TNT tube / solid state preamp fit in a home recording studio?  Find out in my review of the Manley TNT.]]></description>
			<content:encoded><![CDATA[This part of my Recording Equipment Reviews For Humans series.  I&#8217;m gonna get straight to the point.  
First off, I want to start off by thwarting away any potential tech support that Manley may have to deal with.  Even though this is a Manley preamp, you can record girls with it too. [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/manley-tnt-mic-preamp-review/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Preamps Don&#8217;t Matter?</title>
		<link>http://www.recordingreview.com/blog/audio-engineering-principles/preamps-dont-matter/</link>
		<comments>http://www.recordingreview.com/blog/audio-engineering-principles/preamps-dont-matter/#comments</comments>
		<pubDate>Mon, 19 Jan 2009 19:10:20 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Audio Engineering Principles]]></category>
		<category><![CDATA[Mic Preamps]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/?p=136</guid>
		<description><![CDATA[In a recent interview in Tape Op, someone spilled the beans.  Preamps don't matter!  ]]></description>
			<content:encoded><![CDATA[As always, I couldn&#8217;t wait for my human waste management system to kick in so I could delve into the brand new issue of Tape Op magazine.  I&#8217;m seriously beginning to wonder if it&#8217;s a crappy magazine, because every time I open the pages I smell fecal matter.  Okay, a “crappy” joke.  [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/audio-engineering-principles/preamps-dont-matter/feed/</wfw:commentRss>
		<slash:comments>57</slash:comments>
		</item>
		<item>
		<title>No Mid-Grade 8 Channel AD Converters With ADAT Lightpipe</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/no-mid-grade-8-channel-ad-converters-with-adat-lightpipe/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/no-mid-grade-8-channel-ad-converters-with-adat-lightpipe/#comments</comments>
		<pubDate>Wed, 09 Jan 2008 20:04:10 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[AD Converter]]></category>
		<category><![CDATA[ADAT Lightpipe]]></category>
		<category><![CDATA[Presonus M80]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/no-mid-grade-8-channel-ad-converters-with-adat-lightpipe/</guid>
		<description><![CDATA[I just purchased a Presonus Firepod to replace my dead M-Audio Delta 1010.  Now I need an 8 Channel AD converter with ADAT Lightpipe.  ]]></description>
			<content:encoded><![CDATA[Now that I have selected my Presonus Firestudio, I need an AD converter with ADAT Lightpipe to expand the Firestudio up to 18 simultaneous inputs.  (8 analog inputs in the Firestudio and 2 S/PDIF inputs with my Mytek AD96).  10 inputs simply isn&#8217;t going to cut it in full band land.  
Presonus [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/no-mid-grade-8-channel-ad-converters-with-adat-lightpipe/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Presonus M80 vs Vintech 1272 Metal Guitars Preamp Shootout</title>
		<link>http://www.recordingreview.com/blog/mic-preamps/presonus-m80-vs-vintech-1272-metal-guitars-preamp-shootout/</link>
		<comments>http://www.recordingreview.com/blog/mic-preamps/presonus-m80-vs-vintech-1272-metal-guitars-preamp-shootout/#comments</comments>
		<pubDate>Sat, 10 Nov 2007 00:12:11 +0000</pubDate>
		<dc:creator>brandondrury</dc:creator>
				<category><![CDATA[Mic Preamps]]></category>
		<category><![CDATA[EMG 81]]></category>
		<category><![CDATA[Peavey 5150]]></category>
		<category><![CDATA[preamp]]></category>
		<category><![CDATA[Presonus M80]]></category>
		<category><![CDATA[Royer R121]]></category>
		<category><![CDATA[Vintech 1272]]></category>

		<guid isPermaLink="false">http://www.recordingreview.com/blog/presonus-m80-vs-vintech-1272-metal-guitars-preamp-shootout/</guid>
		<description><![CDATA[The debate over how much budget to invested in the preamps in your home recording studio continues.   Presonus M80 preamp vs Vintech 1272 preamp on a Peavey 5150 through a Celestian G12H30 with Royer R121 ribbon microphone.]]></description>
			<content:encoded><![CDATA[We&#8217;ve been discussing this preamp thing fairly aggressively on the recording forum, so I have new little treat for RecordingReview.com forum members. (If you are not a member, join here).
We&#8217;ve been discussing the subject of recording heavy guitars.  I completely moved my control room around so I figured I&#8217;d give the new monitor location [...]]]></content:encoded>
			<wfw:commentRss>http://www.recordingreview.com/blog/mic-preamps/presonus-m80-vs-vintech-1272-metal-guitars-preamp-shootout/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
