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	<title>Home Recording Blog &#187; Trident S20</title>
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	<description>Make Home Recordings Pro Audio Recordings</description>
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		<title>Guitar Rig 2 vs Robo Recording Setup</title>
		<link>http://www.recordingreview.com/blog/electric-guitar-recording/guitar-rig-2-vs-robo-recording-setup/</link>
		<comments>http://www.recordingreview.com/blog/electric-guitar-recording/guitar-rig-2-vs-robo-recording-setup/#comments</comments>
		<pubDate>Thu, 15 May 2008 05:07:47 +0000</pubDate>
		<dc:creator>Brandon Drury</dc:creator>
				<category><![CDATA[Electric Guitar Recording]]></category>
		<category><![CDATA[5150]]></category>
		<category><![CDATA[DI guitar]]></category>
		<category><![CDATA[Guitar Rig 2]]></category>
		<category><![CDATA[Mytek AD96]]></category>
		<category><![CDATA[Rivera Knucklehead]]></category>
		<category><![CDATA[Royer R121]]></category>
		<category><![CDATA[Trident S20]]></category>

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		<description><![CDATA[How does Guitar Rig 2 compare to a real 5150, Marshall Superlead, and Rivera Knucklehead through a Celestion G12H30 through a Royer R121, Trident S20, and Mytek AD96?  Listen to hear how the DI simulator does against the big boy rig.]]></description>
			<content:encoded><![CDATA[<p>As anyone who has read even ½ of one of my posts on the <a href="http://forum.recordingreview.com">home recording forum</a>, I've been highly critical of direct guitar recording for a while now.  I've noticed that more and more talk has been centered around the dramatic improvements in direct guitar recording technology and I'm hearing this on tunes posted in <a href="http://forum.recordingreview.com/f11/">Recording Reviews</a>.  So, I figured I would give it a spin in a head to head contest with a few of my amps.</p>
<p><a href="http://www.dpbolvw.net/click-2170928-10381297?url=http://www.musiciansfriend.com/product/Native-Instruments-GUITAR-RIG-3-KONTROL-Edition?sku=702973"><img src="http://img3.musiciansfriend.com/dbase/pics/products/regular/3/0/0/536300.jpg" alt="Guitar Rig 3" /></a><br />
<em>Note:  I'm not biased on this test.  To be honest, I wanted to say “This $200 plugin replaces my entire amp collection”.  I WANT to be able to make robo recordings with $2 in gear!  Did it happen?  I'll let you decide.  I want to make it perfectly clear that this test was not a big deal.  I probably should have played it tighter.  I probably should have taken more time.  I didn't really plan on making a shootout.  Oh well, here goes.</em></p>
<p><a href="http://www.dpbolvw.net/click-2170928-10381297?url=http://www.musiciansfriend.com/product/Waves-GTR3-Native?sku=703134"><img src="http://img3.musiciansfriend.com/dbase/pics/products/regular/5/3/7/545537.jpg" alt="Waves GTR3" /></a><br />
<strong>Guitar </strong>– The guitar is an Agile Telecaster.  Why Telecaster? Why not!  I'm playing high gain rock stuff here.  I realize a Telecaster is not the most obvious choice for this.  Oh well.  To make matters worse, these strings are robo old.  To make matters even worse, you can hear just how poorly the intonation is out when I hit the higher chords.  So what does this prove?  Nothing!  I'm not trying to prove anything.  I was goofing around and not taking this too seriously.  Maybe I should have restrung it.  Maybe I'll do a better shootout with more direct guitar gadgets if people like this one.  </p>
<p><strong>Amp Simulator</strong> – Native Instruments Guitar Rig 2.  Why only this one?  Because it's the only one I have.  Technically, I didn't really pursue this one anyway.  It came with Komplete 3 which I purchased for the synths and samples. I normally am too busy pulling crap out of my highly raised nose to ever actually purchase a direct guitar product.</p>
<p><a href="http://www.dpbolvw.net/click-2170928-10381297?url=http://www.musiciansfriend.com/product/IK-Multimedia-AmpliTube-2-Electric-Guitar-Amplifier-and-Effects-Modeling-Plugin-Software?sku=702486"><img src="http://img3.musiciansfriend.com/dbase/pics/products/regular/1/2/7/462127.jpg" alt="Amplitude" /></a><br />
<strong>Amps </strong>– The amps in this contest were all my amps I own.  Peavey 5150, Rivera Knucklehead, and my trusty '71 Marshall Superlead.  I considered using my Fender Bronco also, but maybe I'll save that for the next one.</p>
<p><strong>Cabinet </strong>– My trusty 1x12 former floor wedge on stage turned into Celestion G12H30 mega cabinet.  I REALLY like this cabinet even though it looks like death.  I don't use a grill!  My Marshall JCM 800 4x12 cabinet has been collecting dust for some time now.</p>
<p><strong>Mic </strong>– I used my Royer R121 with this.  It's clear that if I wanted more fizz than this (for metal I definitely would) I would need to make some changes.  With that said, I need to remember that my Mackie's tend to hype of electric guitars a little bit so guitars come out sounding a tad boring and a tad too smooth on computer speakers.</p>
<p><strong>Preamp </strong>– I used my Trident S20 preamp.  Not much to say there.</p>
<p><strong>Converter  </strong>- I used my Mytek AD96 converter on the mic'd signal.  The direct guitars were tracked through the Hi-Z input in my Presonus Firestudio.</p>
<p><strong>The Results</strong>:  You'll have to head to the Member's Only forum here at RecordingReview.com for those! <a href="http://forum.recordingreview.com/f18/guitar-rig-2-vs-real-expensive-recording-rig-7894/">Guitar Rig 2 vs Real, Expensive Recording Rig </a></p>
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		<title>Pull Out The Old Mics: Rethinking Audio Engineering Ruts</title>
		<link>http://www.recordingreview.com/blog/audio-engineering-principles/pull-out-the-old-mics-rethinking-audio-engineering-ruts/</link>
		<comments>http://www.recordingreview.com/blog/audio-engineering-principles/pull-out-the-old-mics-rethinking-audio-engineering-ruts/#comments</comments>
		<pubDate>Wed, 03 Oct 2007 06:05:59 +0000</pubDate>
		<dc:creator>Brandon Drury</dc:creator>
				<category><![CDATA[Audio Engineering Principles]]></category>
		<category><![CDATA[dynamic mic]]></category>
		<category><![CDATA[PL-20]]></category>
		<category><![CDATA[RE-20]]></category>
		<category><![CDATA[Shure SM7]]></category>
		<category><![CDATA[SM 58]]></category>
		<category><![CDATA[Trident S20]]></category>

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		<description><![CDATA[I tell every beginning home recording enthusiast to listen and experiment constantly.  It's so important for a beginner to learn the sometimes subtle differences between mics, preamps, and converters.  After we grow past the beginning stages of audio engineering, it's easy to get set in our ways.  This blog is about challenging old recording habits and ideas.]]></description>
			<content:encoded><![CDATA[<p>On the music production forum today we were having a discussion about the <a href="http://forum.recordingreview.com/f9/best-vocal-mic-300-range-3586/">Best Vocal Mics For $300</a>.    and in particular we were talking abou the EV RE-20.  I have an Electro Voice (EV) PL-20 which I snagged off of Ebay for a cheap price years ago.  For whatever reason, I never liked the mic.  It ended up on the “don't use” portion of my mic shelf with my Audio Technica AT 4033 and both broken MXL V69s.  </p>
<p>My memory of the PL-20 was that it sounded like a megaphone.  I remember absolutely no low end in the mic even in the flat position.  Based on the way that so many experienced audio engineers spoke of the mic, I decided that mine was broken.  That was the end of it.</p>
<p>Well, after the forum discussion today, I decided that it was stupid of me to keep on with my prejudice.  I decided that I needed to try it out again.  I put the mic up side by side with my Shure SM7 (another great dynamic mic) to see the difference.  IMMEDIATELY it was clear that the RE-20 / PL-20 was definitely in the same league as the Shure SM7.  The SM7 was a little bit more “hifi” through my Trident S20 preamp.  This may sound like a good thing to the layman, but with vocals “hifi” can be the path to disaster in the world of thin vocals and sibilance.  Then again, it just might be more “hifi”.  </p>
<p><strong>Dynamic Mic Shootout On The Way</strong><br />
So, I put together a super tiny little shootout between my EV PL-20, Shure SM7, Shure SM 58, and my  Sennheiser MD 421.  I'll be posting it soon.  I must say that it was an eye opening experience to say the least.  The EV PL-20 was NOTHING like I had remembered.  NOT EVEN CLOSE!  In fact, I was looking for a mic that was more neutral than the Shure SM7 not long ago.  I was looking for a mic that didn't quite as bitey in the upper midrange.  I would have been MUCH happier using the RE-20 / PL-20 in this case.  Oh well.  Now I know.</p>
<p><strong>The Lesson Learned</strong><br />
The lesson from this is not to get too set in your ways with this audio recording business.  Shake things up a bit.  Do things wrong.  You could be missing out on some exciting tools because you were too stubborn to give them another try.  Hell, I paid for the damn mic.  Why haven't I been using it???</p>
]]></content:encoded>
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