• I decided after about ten minutes of reading I would purchase the full series.
    -- Jason Brock
  • it is great that you are providing wisdom which is worth thousands of dollars.
    -- Jon Kaley
  • The HKHR:SU is amazing. Simply put, it's essential.
    -- stephenfone9000
  • Totally, absolutely, incredibly awesome!!!!!!!
    -- Antonio Duarte
  • I really can't thank you enough, you've probably saved my ass from failure.
    -- Daniel Bone
  • the killing home recording setting up is simply awesome !!
    -- Charalambos Evlambides
  • On a scale of ten I hereby award you -- an eleven! Yours is the most comprehensive, all round, simple explanation I have seen for those who need a nudge in the right direction.
    -- Doug Smardon
  • I LOVE IT!!! It's got personality AND personability, to keep my A.D.D. brain interested, all the while, remaining wonderfully informative and comprehensive to this 'Newbie'. Thank you very much!
    -- Peter James Howe
  • for a beginner like me it is the best book I have read on Home Recording
    -- Hickle
  • wont be suprised if this becomes the home recording bible in the future!
    -- Colyn Gypsy
  • In my opinion it's PERFECT even for a more advanced crowd
    -- Erik Bosio
  • It's fucking awesome man. It's definitely helpful and more extensive than I thought it would be. Keep up the epic work!
    -- Alden Marchand
  • I owe you a Beer for this free version of "the shitload of info"/Killer home recording: setting up
    -- Paul Keuning
  • it's good info. I can't wait for the full version of KHR to be released.
    -- Lizakowski
  • It's freaking awesome, dude! The home recording world really needed something like this.
    -- Ernesto Vera
  • Excellent, you have managed to put pretty much everything in here, amazing, very well written and easy to understand,
    -- Tuff
  • I think it's awesome for someone just getting into recording!
    -- S. Gallassio
  • The book so far is great. Always interested in learning more, so this is perfect. I can't wait for the rest of the home recording package to go on sale
    -- Todd J Nilsen
  • It's brilliant! A fantastic guide!
    -- Jamie Fairhurst
  • It is sure to answer 98% of my questions at least.
    -- Shane Mann
  • In a word... WOW. This is as bullshit free as it gets folks. You wont find a more unbiased text on the subject anywhere.
    -- Jer
  • its great. its got in it everything that i learned the hard way over the past 10 years. wish i wouldve had it back then.
    -- Paul Dehmer
  • It's the MOST profound read I've been able to find regarding Home Recording. (And I've spent enough at Barnes and Noble to start a small book store)
    -- Jimmy Lawless
  • absolutely great work
    -- Troy Willinger
  • Really loving it, looks to seriously be the ultimate resource for a beginner like me.
    -- Josh Denyer
  • I' ve been reading through it and I have to say, you've really put together a great book. There is information in there that is priceless.
    -- Matt B.
  • Its AWESOME!!!!! You have already saved me about $1,000 bucks and i only have read maybe half of it.
    -- Jessy Martin
  • I think it's awesome! I took a road trip this weekend and read it over - twice. It's incredibly informative and I really like the "personal experience" stories and appreciate the do's/don'ts within.
    -- Michael Belley
  • Its great - you did a brilliant job of explaining complex stuff in a simple and interesting way and your sound card finder is magic!!
    -- Patrick Wright
  • Hey, It's awesome. You explain things much more clearly than any one else I've encountered.
    -- Richard Webb
  • Anyhow, the book is ABSOLUTE PHENOMENON! And really, the style is very fresh and the little gags keep you going page after page, it's a very honest piece of work, dude.
    -- Ernesto Gutiérrez Vera
  • this is the best e-book I've read for begginers
    -- George From Greece
  • I have bought and read countless books on home recording. NONE of them have covered getting started in as much "real world" detail as you have.
    -- Chris Metcalf
  • I love the way you cut through the BS, just give honest opinions and realize that most of us don't have off shore Swiss bank accounts to dip into to buy ridiculously priced equipment!
    -- Kev Gunner
  • Really an amazing Job, sir. I found it clear, simple and useful. Nowadays I'm just setting up my home studio for recording purpose, and believe me, your book is AWESOME.
    -- Giuseppe Aulitto
  • I absolutely love it
    -- Garland Headley
  • i love it. great information Brandon.
    -- cory vienneau
  • Setting Up has been awesome!
    -- Ethan Sanchez
  • It's excellent mate. A really well put together piece of solid information.
    -- Andrew Clarke
  • you are the guru, master.
    -- Ernesto Gutiérrez Vera
  • KHR RULES!!!
    -- Rex Rossbach
  • Dude your guide ROCKS!!
    -- george stergiou
  • This book is just chock full of useful information that covers everything that the title suggests and much, much more.
    -- Billy Christ
  • it is just EXCELLENT.....by far the best "On Recording" manual that i have ever read (and i've been in this game for 35 years)
    -- Gary
  • Truly unbelievably awesome.
    -- John-Christopher DiMeglio
  • I love your book. It is so easy to understand.
    -- C Marshall
  • Dude, Killer Home Recording: Setting Up is amazing!
    -- Mike Fenty
  • im LOVIN IT!! packed full of useful information
    -- Landon Johnson
  • I think the book is excellent. I like the fact that you're willing to take sides on issues, not trying to please everyone.
    -- Morrill Moorehead
  • sometimes something comes along and just gives you the information you need without all the bullshit, nice one
    -- paul bell
  • I love the it! I can't believe you gave it for free. There's a shitload of useful information, even for someone like me who's been recording for years. I will definitely recommend your e-books to my friends.
    -- Jon Dal
  • Its a fantastic read!
    -- rogers.p
  • Very cool! I have been recording for years and haven't seen a comprehensive Recording tutorial like this.
    -- Todd
  • "Killer Home Recording" is a brilliantly composed mine of information, both for the nubee as well as the "know-it-alls" out there!
    -- Mike Christer
  • it´s very comprehensive ..and useful
    -- thierry
  • I love your book! It has really helped to make sense out of a lot of things especially audio interfaces.
    -- Pamella Jackson
  • Gotta say Brandon that this is a great piece of work. It cuts through all the "techno speak" that is used to confuse and abuse and gives you the meat on the bone.
    -- Gerry Bremner
  • It's a great book!
    -- Lars Bauer
  • I just spent most of yesterday reading Setting Up. Awesome man, just Awesome.
    -- Matt "Bear" Tinberg
  • Upon reading through a fair bit of the Setup book, I'm absolutely hooked! You have simplified things so that even the first-time recorder can easily understand them, yet it's still an interesting read when I fully understand the topic being discussed.
    -- Dennis Deveaux
  • Fantastic,very,very cool.learned allot quickly
    -- Todd Carriger
  • The book is cool. Quite logical, well thought out & easy to read - If only I had it when I started out!
    -- Andrew Gosden
  • Great book! Enjoyable to read!
    -- Leo Hart
  • Going through the setting up book now, great stuff and VERY WELL WRITTEN!!!!
    -- Jer
  • I am very , very impressed with not only the amount of info you've jammed into this little package but at how clearly ( and entertainingly .....is that a word ?? ) you've presented the information...your product knowledge , technical expertise and experience ..etc. . Well done....seriously
    -- Roysboy
  • I like the style you have, which strikes me as "WTNS" ("We Take No Sh*t")
    -- Duane Mantick
  • I'm really digging it! It's very user friendly and jargon free, very easy to understand and follow! It has helped me no bounds so far.
    -- Mick Carey
  • I think the "Killer Home Recording: Setting up" is OUTSTANDING.
    -- JP Friedman
  • yeah it's really great, i've never seen anything thats actually gives practical help with recording or setting up a home studio , it's always buy this and buy that
    -- Edward Tierney
  • You did a great job and thanks for sharing with us! You are amazing.
    -- Bob Craft
  • It's just a great all round reference document and one I'll use often for many years. A huge amount of work you put into it and to make it available for free is unbelievably generous of you. You're a legend mate.
    -- Peter Hughes
  • I am super impressed at the detail that you have gone into. I am super excited to get my hands on the full product, ESPECIALLY the audio samples.
    -- Sean Provost
  • Everything is so broken down I don't see how I could make any mistakes in getting my setup to work.
    -- Rob Hutchison
  • I found your book very useful and enlightening and really is a must for all beginners that want to get into home recording. Well done
    -- Henry Loram
  • I find it's very user friendly and 'down to earth', so its not like some textbook and it answers some questions that are not always easy to find.
    -- David.A.Burdett
  • I really like it. You've done a great job.
    -- Tamilyn Bacciarini
  • it will help me immensely when it comes time to start piecing together a home studio
    -- Bryan
  • It's simple enough for beginners but also makes a great refresher for those of us with some experience. Plus, it's one of the few books I've read that contains technical information but manages to maintain a good deal of personality as well. I'm looking forward to the rest of the series!
    -- Ian Bender
  • I think the "Killer Home Recording: Setting up" is OUTSTANDING. I really think it brings a lot of great points, explanations and tips to anyone think about serious about doing a Home Recording Studio.
    -- JP Friedman
  • Loved it! Thanks fella. Wish I'd read it years ago - my first 5 years home recording were a nightmare
    -- Dean Tainio
  • Brandon, I LOVE it man! It really covers a TON of info and is exactly what I need right now. Of course I dig the humorous writing style as well.
    -- Don Faoro
  • Love your writing style, makes dull technical pish very entertaining and easy for numpties like me to get a grasp of.
    -- Simon Smith
  • It is great and I mean it. No loose ends, no tech guy talk at all. And what I liked most (apart from being free) is the fact that it was really fun to read.
    -- Hakan Dincer
  • I really like Killer Home Recording: Setting Up, you do a great job of cutting through the b.s. and focussing on what's important
    -- Lody Kieken
  • i would highly recommend it to anyone thinking about home recording.
    -- francis whelan
  • You did a great job. Very well put together. Lot of very useful stuff for newbies to get their heads, (and ears around).
    -- W Mann
  • I am loving it.
    -- Dustin Hunt
  • Dude, Killer Home Recording: Setting Up is amazing!
    -- Mike Fenty
  • It's a great collection of intelligence AND lore, tempered by years of experience and stained with both sweat and midnight oil.
    -- Jerry Kendrick, PhD
  • I'm Impressed,well put together.Not only do you examine the two main types of recording processes,the information provided can be easily understood by the newest of beginners
    -- The Outlaw Ronnie Black
  • There is a wealth of good information to be had!
    -- steve brown
  • i would say an excellent one stop resource for the beginner and intermediate(especially those that were afraid to ask certain questions). well written with compelling humour that makes the un-sexy parts more manageable. great work!
    -- Disobey the laws of Thermodynamics
  • What a great informational guide thru the maze known as your own studio.
    -- Mike Check
  • Thanks for the book. It's wonderfull.
    -- Sarah Morrison
  • A great intro to home recording and an excellent de-mystifying of all the bullshit. I especially liked the way you cut right to the chase about not really needing the best of everything to make great recordings.
    -- Dean Ashton
  • Your book is a great read and a fresh perspective unencumbered by hype.
    -- Dean Ashton
  • It's great - enjoying it a lot -- very accesable
    -- Andy Mawson
  • I love it. Very very well written, easy to understand and funny! Great job.
    -- Erik Bosio
  • I really like it. It is the first time I see a book REALLY made for home recording.
    -- Martin Paré
  • Tons of informations, tons of tips in order to start corretly and that will keep me out of selling my organs for overpriced gears.
    -- Mathrock
  • It's great! I'm sure it will be a very useful reference.
    -- Dan Moyer
  • i'm having a great time with it, saves me tons and tons of time, thanks a lot man!
    -- Pim Mulders
  • finally someone has written a tutorial on recording in a language that regular musician's can understand
    -- Phil Sterrett
  • I found the manner in which you wrote it to be very easy to read, and as always it is nice to have the comedy thrown in while reading a subject that could get deep quickly.
    -- James Clark
  • I think its great
    -- Andrew Batkin
  • I like the comprehensiveness of the content. Items are not glossed over, but looked at in detail.
    -- Mitch Cojocariu
  • You are awesome! The info has been so helpful to me.
    -- Richard Da Producer
  • find it to be a faithful guide to avoid many of the pitfalls. I only wish that I had had it as a reference when I started home recording many years ago.
    -- Steve F
  • Extensive is a massive understatement! Congrats you've really got something good going on here buddy!
    -- Rob Fellows
  • Brandon, If i make one decent tune before i die you'll be listed on the credits.
    --
  • though, i'm into doin voice over once in a while for radio ads, i find "Killer Home Recording" very very interesting and for sure very very helpful too
    -- Alvin Samson
  • Your work is great, dude.
    -- David Ozog
  • thanks for the free booklet. It is extremely informative and very useful.
    -- Vishak
  • i'm still loving the setting up pdf
    -- Shaun J. Laframboise thomasislandstudio.com
  • khr: setting up=the bees knees.
    -- Josh Conklin
  • It's really well written, and i like the humour you put into it too
    -- Ian McIntosh
  • This is a great read Brandon. Thank You.
    -- Mike Abercrombie
  • I'm digging it, definitely. Quite a wealth of information indeed.
    -- Jonathan Thompson
  • For a guy I never met, you certainly cool! It appears you always take an interest in your clan. I admire that.
    -- Robert Dean
  • I have had my studio set up for a while but there was still a great amount of information that I know I will be able to use.
    -- Spencer Hansen
  • I like your humorous method of learning as opposed to just being another technocrat.
    -- Steve Fornek
  • cool, lots of great info
    -- Steve Legal
  • so far it's great! Very well put together, some great laughs (especially in the beginning) and what seems to be a good solid read with great info.
    -- Jim 2Macs
  • your site and what I have read of Killer Home Recording are extremely helpful
    -- Mike Worley
  • hey man, im really liking it, it is VERY helpful, it explains everything...very glad i found it!
    -- Danny Riner
  • Yes it is a very helpul guide and has a lot of information in it that I nwould have not known since i am new to recording.
    -- Shane Govert
  • really good. nice and informal which gives it a good accessible feel.
    -- rafe morris
  • I liked it very much. I like it because it explains things in layman's terms.
    -- Martin Young
  • It was a great help
    -- ROBERT PICCO
  • you did a great job!!!
    -- Brian Iglesias
  • I think it is wonderful doc!
    -- Ernest J. Walker
  • I do like the fact that you focus on skill more that stuff.
    -- Jim Donelson
  • It is most useful,well reseached and very informative.
    -- Ian
  • I like very much your Killer Home Recording Setting Up
    -- Ranko Dudukovic
  • It's great; very thorough. I wish I had this a few years back when I first started.
    -- Jorge Gonzalez
  • Really, really appreciate all you've done with Killer Home Recording.
    -- Todd Johnson
  • I'm quite enjoying it. I like your writing style
    -- Slim
  • I like it a lot. There is a lot of useful information to get from 'Killer Home Recording'. I also like the style you used in writing the book it keeps me reading.
    -- DJ WYSE SCHMEEK
  • A different point of view that is real cool.
    -- jay phil
  • Good information for the novice recorder!
    -- Greg Howard
  • The Definitive Guide To Absolutely Everything You Need To Know To Setup Your Own Home Recording Studio ....NOW!!!

    Killer Home Recording: Setting Up
    Audio Recording School
    home recording download

    What Is Covered?

    Standalone Recorders Vs Computer Recording

    Benefits of Standalone Recorders........................................................................................20
    Drawbacks of Standalone Recorders...................................................................................21
    Benefits of Computers For Recording..................................................................................23
    Drawbacks of Computers For Recording.............................................................................28
    Which sounds better? A standalone box or a properly setup computer recording rig? .....29
    Which is better for me? A standalone box or a properly setup computer recording rig? ...30
    Why I Consider Standalone Recorders To Be More Complicated.......................................32
    All Drum "Machines" Are Not Created Equal........................................................................35
    Reasons I Use Recording Software.....................................................................................35
    Q: What About Digital Recorders That Function Like Tape Machines?...............................37
    Before You Buy.....................................................................................................................41
    Popular Options....................................................................................................................42

    Overview Of The Computer Recording Process

    Routing: Getting Started.......................................................................................................46
    Recording Software Routing.................................................................................................55
    Beginner Recording Gear Stuff..........................................................................57
    Electric Guitar Recording Gear.............................................................................................57
    Bass Recording Gear...........................................................................................................59
    Drum Recording Gear...........................................................................................................60
    Microphone Selection...........................................................................................................64
    Mics I've Used And I Recommend Checking Out.................................................................67
    One Mic Guys.......................................................................................................................73
    Mic Stands ...........................................................................................................................74
    Speaker Stands....................................................................................................................75
    12
    Headphone Amps.................................................................................................................76
    Headphones........................................................................................................................76
    Acoustic Treatment...............................................................................................................77
    Studio Monitors.....................................................................................................................78
    MIDI Production Gear...........................................................................................................79
    An Overemphasis On High-End Gear..................................................................................81
    Q: Do I Need A Mixer For Home Recording?.......................................................................83
    Q: Do I Need A Pop Filter?...................................................................................................87
    Q: Do I Need Expensive High End Analog To Digital Converters?......................................87
    Q: Do I Need Expensive High End Preamps?......................................................................88
    Q: Will A Tube Preamp Smoke My Stock Audio Interface Preamp?....................................90
    Will The Band Notice High End Preamps?...........................................................................91
    Q: I have a friend who insists on doing everything in analog. Should I go this route?.......93
    Q: Do I Need A Control Surface?..........................................................................................95
    What do you think of USB microphones?.............................................................................98
    Monitoring For Performers....................................................................................................99
    Studio Monitors: Pair Or Single Speaker?..........................................................................104
    Better Instruments vs Better Recording Gear....................................................................105
    Things You Don't Know You Need......................................................................................106
    Things Not To Buy Yet.........................................................................................................112
    X-Red Niner - Secret Recording Technology......................................................................112
    How To Break Recording Gear...........................................................................................114

    Audio Interfaces

    Audio Interface Features....................................................................................................121
    Home Recording Soundcard Wizard..................................................................................129
    Q: Which audio interface sounds the best?........................................................................129
    Q: Do I need a soundcard and an audio interface?..........................................................130
    Q: I want to record my entire band live. How do I add more inputs?................................131
    Q: Why does my audio interface only have 8 inputs even though it advertises much more?
    ...........................................................................................................................................131
    Are the preamps in an audio interface as good as the preamps in a mixer?.....................132
    Is Firewire better than USB 2.0?........................................................................................132
    Before You Buy...................................................................................................................133
    Mixers bundled with audio interfaces.................................................................................133
    Q: I was thinking of getting X audio interface, but just a few hours ago I read someone had
    a problem with it. Should I get something else?................................................................134

    Recording Software

    Placing Too Much Stock In Recording Software................................................................136
    Recording Software All Sounds The Same .......................................................................137
    No Bad Recording Software...............................................................................................137
    Powerful Recording Software.............................................................................................138
    The Recording Software Commitment...............................................................................139
    13
    Q:I plan on using crappy software now, but upgrading later. Is this a good idea?............142
    Q: What's the best software?..............................................................................................145
    Features To Look For In Recording Software.....................................................................145
    Features You Won't Look For.............................................................................................150
    Wav Editor vs DAW............................................................................................................151
    Q: What do you think about free software?........................................................................151
    Q: Will my recording software work with my audio interface?............................................152
    You Don't Need Mp3 Conversion In Your Recording Software..........................................152
    So You've Just About Given Up On X Recording Software?..............................................153
    Getting Started: Tutorial vs Manual....................................................................................153

    Mac vs PC

    Advantages of Mac.............................................................................................................155
    Advantages of PCs.............................................................................................................155
    Computer Dependent Gear................................................................................................156
    Q: Aren't Macs More Reliable Than Windows Computers?...............................................157
    Q: Aren't Macs Better For Recording?................................................................................157
    Q: Brandon, What do you recommend? Mac or PC?.........................................................158
    You Don't Really Record With The Operating System.......................................................158
    Conclusion.........................................................................................................................159

    PC Computer Stuff

    Calm Down!........................................................................................................................160
    Computer Guts...................................................................................................................160
    Recording Computer Demands..........................................................................................164
    Q: Should I update my operating system?.........................................................................167
    Q: What Is A Chipset?.........................................................................................................168
    Q: Should I Go With AMD or an Intel Processor?.............................................................170
    Q: What if my computer doesn't come with USB 2.0 or Firewire?.....................................171
    Quad Core Computer Power..............................................................................................172
    Keeping A Recording Computer Quiet...............................................................................174
    UPS (Uninterrupted Power Supply)....................................................................................181
    Laptop Recording Considerations......................................................................................182
    Computer Performance Optimization...............................................................184
    Dux nLited XP Pro .............................................................................................................184
    Avoid The Problem In The First Place ...............................................................................184
    Make A Carbon Copy Backup Of Your Operating System.................................................187
    Stick with Good Ole, Reliable, Stable Operating System...................................................188
    Use Multiple Hard Drives ...................................................................................................189
    7200 RPM, 10k RPM, and 15k RPM Hard Drives..............................................................190
    Optimize The Operating System........................................................................................190
    Should I Use Internet On My Recording Computer?..........................................................191
    14
    How Much Should I Spend On a Recording Computer?....................................................192
    Take A Look At Servers.......................................................................................................194
    How Much Computer Power Do I Need?...........................................................................195
    There Is Always A Way Out................................................................................................196
    32-bit vs. 64-bit Operating Systems...................................................................................199
    Where To Get Your Recording Computer...........................................................................199
    Incompatible Audio Interfaces............................................................................................201

    Cables

    Different Types Of Cables...................................................................................................202
    Should I Pay Top Dollar For High End Cables?.................................................................206
    Really, Really Bad Cables..................................................................................................207
    Short vs. Long Cables XLR................................................................................................208
    Q: Should I Use Balanced (TRS or XLR) Cables Via Unbalanced Connections?............208

    Beginner Studio Construction

    Q: Do I Need A Vocal Booth?.............................................................................................210
    Q: Should I Begin Studio Construction?.............................................................................212
    The Robo Basics of Soundproofing....................................................................................216
    Avoiding Electrical Noise....................................................................................................222
    How Pretty Should My Studio Be?.....................................................................................225
    Form Is Function.................................................................................................................226
    Gobo Construction..............................................................................................................227

    Ideas For The Ultra-Broke Recorder

    Q: Do I really need a condenser mic?................................................................................230
    Q: Can I use my stock soundcard?....................................................................................231
    Q: Do I really need studio monitors?.................................................................................232
    Q: Do I really need a pop filter?..........................................................................................232
    Maxing Out An Old Computer.............................................................................................233
    Buy Used Gear When Possible..........................................................................................234
    Never Pay Interest Unless It's Profitable To Do So............................................................235
    Always Have A Plan When Buying Gear............................................................................236
    Be Skeptical Of Outsider Advice.........................................................................................237
    You Will Never Be Satisfied................................................................................................237
    Get A Used Standalone Recorder......................................................................................238
    Pirated Recording Software: Why I Don't Use It................................................................239
    Troubleshooting................................................................................................242
    Signal Flow.........................................................................................................................242

    Computer Troubleshooting

    Q: It seems that all seven tracks are recording the same thing? Why?...........................244
    15
    Q: I Can't Hear Any Audio On Playback? Why?...............................................................245
    Q: No Audio Recording At All! Why?.................................................................................246
    Audio Only Records On One Side......................................................................................249
    MIDI Makes No Sound.......................................................................................................249
    Troubleshooting Clicks and Pops.......................................................................................250
    Clicks and Pops With A Single Track..................................................................................250
    Clicks And Pops With Multiple Tracks................................................................................256
    Clicks and Pops With Samples...........................................................................................258

    MIDI

    An Explanation of MIDI.......................................................................................................260
    The New Era Of MIDI.........................................................................................................260
    MIDI Doesn't Have To Be "Stiff"..........................................................................................262
    What Is A MIDI Sequencer?...............................................................................................263
    What Is A Synthesizer?.......................................................................................................264
    What Is A Sampler?............................................................................................................265
    Loops.................................................................................................................................266
    MIDI Is Simple....................................................................................................................269
    The Basics Of MIDI Routing...............................................................................................269
    MIDI Messages...................................................................................................................273
    Potential MIDI Problems.....................................................................................................275
    Drum Programming............................................................................................................276
    So which method of drum programming should you use? ...............................................279
    My Basic Approach To Mouse Drum Programming...........................................................285
    Q: Drum Samples: Are you worried about songs losing their individuality?.......................292
    Q: Do you have to think like a drummer to program great MIDI drums?...........................294
    Q: How Do I "Convert" MIDI To Wav.................................................................................295

    Glossary

    A/D Converter ...................................................................................................................298
    Absorption Coefficients.......................................................................................................298
    Analog Inputs......................................................................................................................298
    Anechoic Chamber.............................................................................................................299
    Arming................................................................................................................................299
    Arrangement ......................................................................................................................299
    ATA.....................................................................................................................................300
    Audio Interface....................................................................................................................300
    Automatic Delay Compensation.........................................................................................301
    Autotune.............................................................................................................................302
    Aux Send...........................................................................................................................302
    Axis....................................................................................................................................302
    Bandwidth..........................................................................................................................303
    Bass Traps..........................................................................................................................303
    Bleed .................................................................................................................................304
    16
    Boost..................................................................................................................................304
    Bounce...............................................................................................................................304
    Breakout Box......................................................................................................................304
    Bus.....................................................................................................................................305
    Cardioid..............................................................................................................................305
    Chipset...............................................................................................................................306
    Clipping..............................................................................................................................306
    Clock..................................................................................................................................306
    Chorus...............................................................................................................................306
    Comb Filtering....................................................................................................................306
    Condenser Microphone......................................................................................................307
    Control Room......................................................................................................................307
    Converter...........................................................................................................................308
    Convolution Reverb............................................................................................................308
    Copying and Pasting...........................................................................................................308
    Cut.....................................................................................................................................309
    D/A Converter ...................................................................................................................309
    DAW...................................................................................................................................309
    Decca Tree.........................................................................................................................309
    Delay..................................................................................................................................309
    Drivers................................................................................................................................309
    DI.......................................................................................................................................310
    Digital Inputs.......................................................................................................................310
    Direct Monitoring.................................................................................................................310
    Dry......................................................................................................................................311
    Dual Boot...........................................................................................................................311
    Ducking..............................................................................................................................312
    Dynamic Microphone..........................................................................................................312
    Early Reflections.................................................................................................................312
    Feedback...........................................................................................................................312
    Flutter Echo........................................................................................................................313
    Freezing.............................................................................................................................313
    Figure 8..............................................................................................................................313
    Filter...................................................................................................................................314
    Firewire..............................................................................................................................314
    Formant..............................................................................................................................314
    Fundamental Frequency.....................................................................................................315
    Gain-Based Effects.............................................................................................................315
    Gate...................................................................................................................................315
    General MIDI (GM) ............................................................................................................316
    Gobo..................................................................................................................................316
    Golden Ratio.......................................................................................................................317
    Harmonic Content...............................................................................................................317
    Headroom ..........................................................................................................................318
    High-Pass Filter .................................................................................................................319
    Hi-Z Inputs.........................................................................................................................319
    IEEE 1394 ..........................................................................................................................319
    17
    Impedance.........................................................................................................................319
    In The Box...........................................................................................................................320
    Integrated Audio..................................................................................................................320
    Keying................................................................................................................................320
    Latency..............................................................................................................................321
    Low-Pass Filter ..................................................................................................................321
    Line Level...........................................................................................................................321
    Map....................................................................................................................................321
    Mastering...........................................................................................................................321
    Microphone........................................................................................................................322
    Microphone Preamp...........................................................................................................322
    Mixing.................................................................................................................................322
    MIDI...................................................................................................................................323
    MIDI Controller....................................................................................................................323
    Mixing Console...................................................................................................................323
    Mono Compatibility.............................................................................................................323
    Motherboard......................................................................................................................324
    mp3....................................................................................................................................324
    Multi-track Recording..........................................................................................................324
    Noise Gate..........................................................................................................................325
    Null.....................................................................................................................................325
    Omnidirectional..................................................................................................................325
    ORTF.................................................................................................................................326
    Overclocking......................................................................................................................326
    Overdub.............................................................................................................................326
    Pad (microphone) ..............................................................................................................326
    Pad (synth).........................................................................................................................327
    Panning Law.......................................................................................................................327
    Parallel Compression..........................................................................................................327
    Parametric EQ....................................................................................................................328
    PCI cards...........................................................................................................................328
    Phantom Power..................................................................................................................329
    Phase.................................................................................................................................329
    Plugin.................................................................................................................................329
    Polarity...............................................................................................................................329
    Pop Filter............................................................................................................................330
    Preamp ..............................................................................................................................330
    Predelay.............................................................................................................................331
    Printable CD-Rs..................................................................................................................331
    Proximity Effect...................................................................................................................331
    Punch In/Punch Out............................................................................................................331
    Q........................................................................................................................................332
    Quantized Grid....................................................................................................................332
    Reamp ...............................................................................................................................332
    Reverb ...............................................................................................................................332
    Reverb Time.......................................................................................................................333
    Ribbon Microphone.............................................................................................................333
    18
    RMS Loudness...................................................................................................................333
    Robo..................................................................................................................................334
    Roll Off ...............................................................................................................................334
    Room.................................................................................................................................334
    Room Mode .......................................................................................................................335
    Room Node.........................................................................................................................335
    RT 60 ................................................................................................................................335
    RTAS .................................................................................................................................335
    Sampler..............................................................................................................................336
    SATA..................................................................................................................................336
    Sensitivity...........................................................................................................................336
    Sequencer.........................................................................................................................336
    Shelf...................................................................................................................................337
    Sibilance............................................................................................................................337
    Sidechain...........................................................................................................................337
    S/PDIF...............................................................................................................................338
    Staccato.............................................................................................................................338
    Studio Monitors...................................................................................................................338
    Track..................................................................................................................................338
    Tracking.............................................................................................................................339
    Transient............................................................................................................................339
    Virtual Instrument................................................................................................................339
    Vocal Comping....................................................................................................................339
    Voiceover...........................................................................................................................339
    VST....................................................................................................................................340
    VSTi ..................................................................................................................................340
    wav File..............................................................................................................................340
    Wordclock..........................................................................................................................340
    X/Y Miking..........................................................................................................................341