All Audio Interfaces > Line 6 > TonePort UX8

Line 6 TonePort UX8 Audio Interface
Line 6 TonePort UX8 Audio Interface

Line 6 TonePort UX8 Reviews
Write a review or read reviews of the Line 6 TonePort UX8 audio interface here at Recording Review.

Compare
Use the Home Recording Soundcard Wizard to make sure the Line 6 TonePort UX8 audio interface is right for you.

Search For Line 6 TonePort UX8
Search Recording Review for discussion of the Line 6 TonePort UX8 audio interface.

Shop
Research

Reviews
Write a review or read reviews of the Line 6 TonePort UX8 audio interface here at Recording Review.

Compare
Use the Home Recording Soundcard Wizard to make sure the Line 6 TonePort UX8 audio interface is right for you.

Search
Search Recording Review for discussion of the Line 6 TonePort UX8.

Line 6 TonePort UX8 Features
Analog inputs:8
# of Preamps:8
# of Hi-Z Inputs: 2
Connection To Computer: USB 2.0
MIDI Connection: no
Included Software: GearBox
Multiple Monitor Mixes:no
Price: $500 US
Mac Compatible: yes
PC Compatible: yes
S/PDIF inputs: yes
AES inputs: no
ADAT Lightpipe inputs: no
The rackmountable Line 6 TonePort UX8 delivers high-caliber USB computer audio powered by standalone GearBox modeling software as well as GearBox plug-ins for your recording software. The UX8 provides recording inputs and outputs for eight simultaneous channels of studio-quality, 24-bit/96kHz audio. Perfect in a professional or project studio, this little powerhouse gives you eight XLR inputs with high-quality dedicated mic preamps, eight 1/4" line inputs, two 1/4" front panel instrument jacks, eight 1/4" balanced line output jacks, and two stereo headphone jacks, as well as stereo RCA S/PDIF input and output. As an added bonus, TonePort UX8 comes with GearBox modeling software and GearBox Plug-In in VST, AU, and RTAS (Pro Tools) formats. The combination gives you unmatched flexibility when you're ready to record, mix, and master. It includes a gigantic collection of models you get to noodle around with contains 18 guitar amps and 24 cabinets (all PODXT-based); 5 bass amps and 5 bass cabs; 6 mic preamps; as well as 30 stompbox and studio effects for guitar, bass, and vocals. The amps and cabs are based on a mix of popular Marshall, Fender, Mesa/Boogie, Vox, Roland, Soldano, and other models, with realistic looking controls every guitarist will be familiar with. For bassists, you'll enjoy the incredible tones of the replications of legendary amp and cab models like the Ampeg SVT and the Fender Bassman. The GearBox interface allows you to record wet or dry, or run a completely different signal path for your mic input with models of vintage preamps, compressors, and reverbs while still giving you the ultimate direct recording sound for your guitar. And then there are the 29 studio and stompbox effects, from fuzz to classic distortion, multiple reverbs to digital delay. No matter which way you go, you're getting world-class studio tone without having to be a rocket scientist or holder of a sound engineering degree.
Home Recording Soundcard Wizard
Find the audio interface for youChoosing an audio interface just got WAY easier!

Home Recording Soundcard Wizard

Latest Recording Blogs
Latest Recording Forum Posts
  • Hey You

    New Idea for tune. Let me know what you think.
    Posted in Bash This Recording

  • Hey You

    New Idea for tune. Let me know what you think.
    Posted in Bash This Recording

  • Interface questions

    ---Quote (Originally by RayVN)--- Hey everyone. I have a home studio which I use for VO recording only (Eureka, Rosetta, Digi002, TLM 103), and I'm
    Posted in Home Studio Equipment

  • Please help, channels bleeding into others

    ---Quote (Originally by mrfdes)--- I have a severe problem with Cubase SX 3. When I have recorded an audio track (instrumental backing) and I try
    Posted in Cubase

  • composing/arrangement tips

    ---Quote (Originally by Danny Danzi)--- Maybe that's true for YOU, but it's the furthest from the truth for me and those that I know that are like me
    Posted in Songwriting

  • Audio Engineering Schools?

    ---Quote (Originally by ratmandtotti)--- Holy crap man! Yes it was the only thing I've ever stolen in my life. And I'm not planning on stealing anyt
    Posted in Audio Engineering

  • anyone here have any experience in 5.1 mixing?

    ---Quote (Originally by arktisk)--- when i had a 5.1 system i messed around with it a bit, and i must say the improvements over stereo are astounding
    Posted in Audio Engineering

  • Fletcher-Munson Curve = Ideal way to EQ?

    ---Quote (Originally by alvincflorentino)--- Just read an interesting article in EM (June 2009) about the Fletcher-Munson curve and how people percei
    Posted in Audio Engineering

  • Don't know where to start, please help!

    ---Quote (Originally by yellowchuck)--- So I have two mics, the first is an AT2020 cardioid condenser the second an AT2021 small-diaphragm condenser.
    Posted in Audio Engineering

  • Audio Engineering Intro

    ---Quote (Originally by alvincflorentino)--- I just submitted a forum question in a new topic but after seeing this thread, I think this is where my
    Posted in Audio Engineering